This is truly a breath of fresh air. The Gas House Gorillas do tremendous things to old fashioned rockabilly rock n' roll. The entire album has a good sense of humor about itself without diminishing from the quality of the songs. The vocals are clean and simply enjoyable. The guitar, saxophone, and bass flow. And the drums have a great ability to back up the band and have the freedom to go on its own tangent. Every instrument adds something to each track which makes this album simply amazing. The album starts of with a humorous and fun track "All She Wants to Do Is Rock." The saxophone flows perfectly with the vocals and the guitar is simply old fashion Rock n' roll, from its rhythm to its solo. The third track, "Where Did Harlem Go," shows the dexterity of the drummer and saxophonist while keeping a steady fast upbeat pace.
"Nine Lives" has a great rockabilly feel to similar to that of the Stray Cats (no pun intended.) It has an immense punk rock sense to it while keeping the theme of old fashioned rock and roll that is evident throughout the entire album. The solos on this track are great, the guitar and sax just explode into phenomenally energetic paths, and the lead singer's screaming into the microphone just blows your mind.
I could go on for a page about how well done this album is, but due to need to condense I'll stop here. The album brings something new to the table that this decade has seldom seen. I can't praise this album enough because it is truly a definite buy. I hope for the best with these guys because they truly deserve it.
Peter Markoski- Upstage Magazine (April, 2008)
Remember those hoodlum friends you had when you were a teenager? Remember the way they used to hang out down by the drugstore in their zoot suits, snapping their fingers and acting too cool for school? Well, they grew up to be the Gas House Gorillas.
This primo jump blues band has it all: an amazing rhythm section, awesome sax playing, fabulous guitar, a killer frontman, and fantastic songs. And more than all that, these guys have the ability to cross over from jump blues to swing to rock and back again, often within the same track.
“All She Wants To Do Is Rock” boogies and swings and rocks and kicks and, like most of the tunes on this disc, has an absolutely infectious hook. Hiro Suzuki positively wails on guitar, taking the whole thing up and way over the top. Rick Fink’s suggestive vocal delivery is magnificent.
“Memories Of You” is a quieter, sweeter number, blending pop with a gentle swing and a touch of blues. Tim Veeder’s sax backing is exquisite, and again, Suzuki lets his guitar go for broke, this time eliciting a lonely and heartrending cry. “Swing That Thing” is a piston-pumpin’ masterpiece, giving Veeder more room to ply his trade. “Nine Lives” is pure, rhythm-section-led evil, racing along at breakneck speed. Upright bassist Crusher Carmean clicks away like a madman, while drummer Dan Hickey keeps it tight and oh so right.
From romantic ballads to raucous dance tunes, the Gas House Gorillas have got it covered. They even have the good taste to offer up a rendition of the Groucho Marx classic, “Everyone Says I Love You.” Now, that rocks!